![]() ![]() James Infirmary (which is well worth listening to) and then, as Skip James said, “I changed it to suit myself”. More specifically in this piece, the feel was lovingly borrowed from a Marc Ribot version of St. I really started playing the guitar when i started learning this sort of blues and it’s always been underpinning much of my style, although less and less overtly. If you want to know how much sound you can get out of one acoustic guitar, then listen to these guys. On the other hand, there are players like Skip James and Mississippi John Hurt who play beautiful melodies over complex picking patterns. Free tab and sheet music available.ġ930s blues men learned to use their guitars not only for chords and melody, but also for rhythm and percussion listen to Son House or Charlie Patton whack their guitars as they pick out melodies, bass notes and chords. Feel free to send me a message if you have any problems.Īnew Named One, an advanced guitar piece for electric, acoustic or classical guitar by Douglas MacGregor. The fingerings should hopefully be obvious enough and yes, there is a 6 fret stretch in bar 52. ![]() You can also purchase the sheet music/tab on this page if you believe in supporting musicians, if not, you can download it for free here. bars 43-47 sound great if played aggressively while heavily muted.Ī Testament to Subsided Days appears on the EP, also titled A Testament to Subsided Days, which can be purchased here: The pressure of the palm mute can also be altered for different effect throughout the piece e.g. To keep the bass staccato palm mute the 4th, 5th and 6th strings. This leaves three fingers free for chords and melody. In A Testament, until the end when a chromatic element is added, the bass pattern can be played with a bar on the 4th, 5th and 6th strings on any fret (or open). This tuning not only has a lovely resonance to it, but can also free up fingers. The story goes that Skip was taught this tuning by Henry Stuckey who in turn learnt it from some Bahamian soldiers in the trenches of World War II. I first came across this tuning from Skip James who used it in tracks like Devil Got My Woman and Hard Time Killing Floor Blues. This is, to a large degree, made possible by the tuning – open D minor tuning (D-A-D-F-A-D). 2 (great Rachmaninoff version in that link) and follows this pattern throughout while chords and melody appear over the top. The bass line takes a pattern reminiscent of Habanera from Bizet‘s Carmen or parts of Liszt‘s Hungarian Rhapsody No. This piece really starts to look at the guitar holistically, as an instrument that does all the things and stuff (chords, bass, melody and rhythm) simultaneously. Learn A Testament to Subsided Days, an advanced piece written for solo (classical) guitar by Douglas MacGregor.
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